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IN THE MEMORY OF MY DEAR FRIEND DR BATE BESONG
No one should ask why things are as they are
These questions will be answered at the right time
(Why we laugh at politicians and give them names (to Chief Charles Achaleke Taku, UN Attorney)
August 31, 2006
On August 31, 2006, my friend Bate Besong wrote a dedicated a poem titled “Why we laugh at politicians and give them names”. That poem and its premonitory message impels me to struggle to find the underlying message behind the poem dedicated to me by a friend with whom I spent time discussing everything from literature to history, law, Marx, Osageyfo Dr Kwame Nkrumah, Nwalimu Nyerere, CLR James, Marcus Garvey, politics generally, cultural issues, religion, maths, music etc. On occasion, he talked to me about many of his students whose potential intellectual bravery and literary ingenuity he admired. One of the names he mentioned was Dr Joyce Ashuntangtang.
Why do I bring up this name among others in this brief memorial statement? The name surely came up many times, but he first mentioned her name when we discussed the show of shame which is celebrated in Cameroun March 8, 2006 as the “Women Day”.
Bate Besong and me opposed the celebration of March 8, in ways that portrayed the African woman as hypnotised political tools. He opined that a celebration of the African woman should be in the systemic and societal recognition women and their contribution toward human development. He hoped for a new generation of women intellectuals whom he believed will challenge this political, social and cultural order.
Bate Besong died on 8th of March 2007 the day set aside every year for showcasing the collective enslavement of women by the Cameroun systemic crime syndicate. This was not the intendment of the Peking Women Conference nor that of the international community that decided that to use the ceremony every year to raise awareness on women related issues and women contributions as equal partners in the effort to protect and promote universal human values without discrimination on the basis of race, ethnicity, religion, nationality or any discriminatory basis whatsoever. The Cameroun ceremony is the opposite of what the international community intended.
At the time of his death, I was not aware of the poem he dedicated to me and the underlying message in the poem. Our revulsion for the treatment of women by the criminal syndicate so-called new deal, and the sycophantic submission of the population and the bastardising of scholarship and faculty admission that we discussed and despised has not abated. I have watched the younger generation whom Bate Besong told me about and his predictions are true. So therefore, was Bate Besong a Prophet? In the context of present-day commercial religion and prophesy, BB would never accept this title. BB went into originality of the grassroot authentic creativity of some pathfinders to support his prediction that the challenge the status quo will come from the grassroots, his students and their contemporaries. We both agreed that a musician of Kalabari origin in the Nigeria Delta called Cardinal Jim Rex Lawson fitted in this category. Cardinal Jim Rex Lawson challenged the highlife music status quo in his time, imposing respect and recognition from highlife musical giants like E.T, Mensah, Bobby Benson, Victor Olaiya, Roy Chicago, EC Arinze, Chief Osita Osadebe. He died at the age of 32 after changing the face of highlife music and eternalising his musical genre for eternity. The religious and cultural messages conveyed through his music which he sang with passion at times made him cry on stage accompanied by his ever-increasing audience. Yet the music and the messages he delivered were the products of his work of art, some which he composed on stage. While in Port Harcourt attending the conference of the African Bar Association, I requested and met Chief Tony Odili aged 93 and still and performing, the renowned percussionist of the Rex Lawson band, he confirmed in reasonable detail, what Bate Besong told me about Rex Lawson and his revolutionary change of the status quo in the Nigerian and West African highlife music. Gospel music is a derivative of the Rex Lawson highlife music revolution.
In the poem dedicated to me, Bate Besong in poetic form reminded me not to forsake the liberation struggle. He again raised our collective worries that years of enslavement and mental slavery had ruined generations of intellectuals and so-called elite on whom the people placed their hopes for liberation, freedom and independence. He like me believed that the peoples ‘moment would come when terror, fear and death will rather than scare the people, embolden them to take back their destiny, freedom and independence. As if you bid me and everyone goodbye, he in conclusion, enjoined us:
“No one should ask why things are as they are
These questions will be answered at the right time”
That right time is here for all to see and nothing will stop the wind of liberation and freedom which blowing over the land. The relics of the old social order is fighting back through terror, treachery, corruption, criminality, distractions, confusions and all manner of sideshows. But Ground Zero and the generational liberators whom Bate Besong identified are out in arms fighting to win. And win they shall.
This memorial message should have been posted on March 8, 2019 but in honour of the greatest revolutionary and visionary seer of our times Dr Bate Besong, the judgment of the Abuja High Court exposing another international conspiracy and violations which like the McCleod Slave deal or bazaar aimed to stifle our march to freedom, it is but appropriate to place my considered opinion on the judgment in honour of Bate Besong the liberator, the Obasenjong warrior, the seer, and may I with his permission, call him the genuine prophet at the service of freedom and liberation of the sovereign people of the Southern Cameroons/ Ambazonia.